2007 BS, Biology, Northeast Normal University, Changchun, China<\/p>\n
2012 MA, Painting, Tsinghua University, Beijing, China<\/p>\n
2014 MFA, Painting, Boston University, School of Visual Art, Boston, USA<\/p>\n
Lives and works in Beijing, China\u00a0<\/span><\/p>\n Selected Solo Exhibitions<\/b><\/p>\n 2021 2020<\/p>\n Standing at the Crossroads, WHITE SPACE, Beijing, China<\/p>\n 2019<\/p>\n WANG Tuo: Smoke and Fire, Present Company, New York, USA<\/p>\n 2018<\/p>\n Only the Lonely: Nadim Abbas & Wang Tuo, Gallery EXIT, Hong Kong, China\u00a0<\/span><\/p>\n WANG Tuo: Spiral, Beijing Contemporary, Beijing, China<\/p>\n 2017<\/p>\n Myths We Don\u2019t Outgrow, WHITE SPACE, Beijing, China\u00a0<\/span><\/p>\n The Monkey Grammarian, Salt Project, Beijing, China<\/p>\n 2016<\/p>\n A Little Violence of Organized Forgetting, Taikang Space, Beijing, China\u00a0<\/span><\/p>\n Only the Lonely : Nadim Abbas & Tuo Wang, inCube Arts, New York, USA\u00a0<\/span><\/p>\n Chorus, Riverviews Art Space, Lynchburg, USA<\/p>\n 2015<\/p>\n A Study for Human Opera: Prelude, Bromfield Gallery, Boston, USA<\/p>\n Selected Group Exhibitions<\/b><\/p>\n 2021<\/p>\n Frequencies of Tradition, Incheon Art Platform, Incheon, Korea<\/p>\n 32nd Singapore International Film Festival, National Museum of Singapore, Singapore<\/p>\n The Precarious Field of Optimism: The Re-definition and Re-production of Failure, OCAT Institute, Beijing, China<\/p>\n The Exhibition of Annual of Contemporary Art of China 2020, Shanghai Duolun Museum of Modern Art, Shanghai, China<\/p>\n Unknown Games, Shanghai Duolun Museum of Modern Art, Shanghai, China The Fourth Literature Exhibition Today | “A Stitch in Time”, Museum of Contemporary Art Chongqing, Chongqing, China\u00a0<\/span><\/p>\n 2020<\/p>\n The Exhibition of Annual of Contemporary Art of China 2019, Shanghai Duolun Museum of Modern Art, Shanghai, China MMCA Asia Project \u2013 Looking for another family, MMCA, Seoul, Korea OCAT \u00d7 KADIST Emerging Media Artist Program 2020, OCAT Shanghai, Shanghai, China 2019<\/p>\n The 4th Today’s Documents \u2013 A Stitch in Time, Today Art Museum, Beijing, China<\/p>\n Long March Project: The Deficit Faction, Long March Space, Beijing, China<\/p>\n Sunset on a Dead End: The Notorious and Their Inexplicable Modes of Existence, Power Station of Art, Shanghai, China<\/p>\n Forget Sorrow Grass: An Archaeology of Feminine Time, Times Museums, Guangzhou, China<\/p>\n A White Space Odyssey, WHITE SPACE, Beijing, China<\/p>\n Now Is the Time: 2019 Wuzhen Contemporary Art Exhibition, Wuzhen, China<\/p>\n Hic Sunt Leones, Surplus Space, Wuhan, China<\/p>\n Hic Sunt Leones, 798 Art Center, Beijing, China<\/p>\n Psyche and Politics, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany<\/p>\n Remapping Reality \u2013 Selected Video Collection from Wang Bing, OCAT Shanghai, Shanghai, China<\/p>\n Roadside Picnic-Drawings, Owen Art Gallery at Gould Academy, Maine, USA<\/p>\n The Life Apps, How Art Museum, Shanghai, China<\/p>\n 2018<\/p>\n 8102-On Reality, OCAT Shanghai, Shanghai, China<\/p>\n Replay, White Space Beijing, Beijing, China<\/p>\n Docile, SNAP Art Center, Shanghai, China<\/p>\n Light! Heat! Power!, Spare Space\/Fy Foundation, Shanghai, China<\/p>\n New Metallurgists, Julia Stoschek Collection, D\u00fcsseldorf, Germany<\/p>\n One Northeast, Zarya Center for Contemporary Art, Vladivostok, Russia<\/p>\n Play and loop, Blindspot Gallery, Hong Kong<\/p>\n Confusing Public and Private: The 3rd Beijing Photo Biennial, Cultural Industry Center of Beizhen City in Liaoning province, Beizhen, China<\/p>\n 40 Years of Chinese Contemporary Photography, OCAT Shenzhen, Shenzhen, China\u00a0<\/span><\/p>\n Encounter Asia \u2014 Multi-vision of Youth Art, Museum of Sichuan Fine Arts Institute, Chongqing, China<\/p>\n The Exhibition of Annual of Contemporary Art of China 2017, Beijing Minsheng Art Museum, Beijing, China<\/p>\n Ten Directions: The 10th Anniversary Exhibition of the Three Photography Award, Three Shadows Photography Art Center, Beijing, China<\/p>\n Assembling, chi K11 art space, Shenyang, China<\/p>\n Interlink: The 10th Three Shadows Photography Award Exihibition, Three Shadows Photography Art Center, Beijing, China<\/p>\n Infinite Rehearsal, Mocube, Beijing, China<\/p>\n 2017<\/p>\n Roadside Picnic, Chambers Fine Art, New York, USA<\/p>\n Bi-city Biennale of Urbanism\\Architecture: Ideas on the Move, Sally Project, Shenzhen, China<\/p>\n Indoors Universe: The 5th HuaYu Youth Award, Sanya, China<\/p>\n Phantom Pain Clinic, Jimei \u00d7 Arles International Photography Festival, Jimei Citizen Center, Xiamen, China<\/p>\n To Be An Image Maker, Jimei \u00d7 Arles International Photography Festival, Jimei Citizen Center, Xiamen, China<\/p>\n The Latch : That Obscure Object of Portraits, C-Space+Local, Beijing, China<\/p>\n Nine, Queens Museum, New York, USA<\/p>\n Dream-atic, Christian Louboutin, Beijing, China<\/p>\n 2016<\/p>\n Re-juvenation, Thornwillow Institute, Newburgh, USA<\/p>\n 2015The Real Thing, National Taiwan Museum of Fine Arts, Taichung, TaiwanHouse of Flying Boobs, Nuyorican Poets Club & Bowery Poetry Club, New York, USAPeekskill Project VI, Hudson Valley Center for Contemporary Art, Peekskill, USA\u00a0<\/span><\/p>\n Archimedes’s Bathtub, Lorimoto Gallery, New York, USA<\/p>\n Tirana International Film Festival, TEN Multimedia Center, Tirana, Albania Re-make\/Re-build\/Re-stage, Vox Populi, Aux Performance Center, Philadelphia, USA\u00a0<\/span><\/p>\n CURATICISM |The Gam #2, NARS Foundation, New York, USA<\/p>\n 2014<\/p>\n 6th Cairo Video Festival, Gezira Art Center, Cairo, Egypt<\/p>\n IMA International Film Festival, Kerala Sahitya Academy, IMA Film Society, India\u00a0<\/span><\/p>\n Convergence, 808 Gallery, Boston, MA, USA<\/p>\n Reminiscence of the Land, 798 Photo Gallery, Beijing, China<\/p>\n 9th Annual Boston Young Contemporaries, 808 Gallery, Boston, USA<\/p>\n Awards, Residency & Scholarships<\/b><\/p>\n 2020<\/p>\n KADIST Research Residency, San Francisco, USA<\/p>\n 2019<\/p>\n Winner, Youth Contemporary Art Wuzhen Award, China<\/p>\n 2018<\/p>\n Winner, the 10th Three Shadows Photography Award, China<\/p>\n China Top Shorts Award, Beijing International Short Film Festival, China<\/p>\n Outstanding Art Exploration Award for Chinese Short Films, Beijing International Short Film Festival, China<\/p>\n 2015-2017<\/p>\n Artist-in-residence, Queens Museum, Queens, NY<\/p>\n Residency Unlimited, New York, NY<\/p>\n NARS Foundation International Artists Residency, New York, NY<\/p>","protected":false},"excerpt":{"rendered":" 2007 BS, Biology, Northeast Normal University, Changchun, China 2012 MA, Painting, Tsinghua University, Beijing, China 2014 MFA, Painting, Boston University, School of Visual Art, Boston, USA Lives and works in Beijing, China\u00a0 Selected Solo Exhibitions 2021 Wang Tuo: Empty-handed into History, UCCA, Beijing, China 2020 Standing at the Crossroads, WHITE SPACE, Beijing, China 2019 WANG […]<\/p>\n","protected":false},"author":1,"featured_media":1006,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1002","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists"],"_links":{"self":[{"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/posts\/1002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/comments?post=1002"}],"version-history":[{"count":2,"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/posts\/1002\/revisions"}],"predecessor-version":[{"id":1004,"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/posts\/1002\/revisions\/1004"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/media\/1006"}],"wp:attachment":[{"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/media?parent=1002"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/categories?post=1002"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/tags?post=1002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nWang Tuo: Empty-handed into History, UCCA, Beijing, China<\/p>\n
\nThe 13th Shanghai Biennale “Bodies of Water”, Power Station of Art, Shanghai, China
\nThe Circular Impact: Video Art 21, OCAT Shanghai, Shanghai, China\u00a0<\/span><\/p>\n
\nCao Fei for LOOP, VIDEOCLOOP, LOOP Barcelona, online
\nKino Der Kunst 2020, Munich, Germany
\n\u00c9tude, Aranya Art Center, Beidaihe, China<\/p>\n
\nOut of Blueprints, Serpentine Gallery, online
\nA Light Without Shadow, Cuchifritos Gallery + Project Space, New York, USA\u00a0<\/span><\/p>\n
\nAnonymous Society for Magick\uff0cBlindspot Gallery, Hong Kong, China<\/p>\n