{"id":113,"date":"2023-07-01T15:45:35","date_gmt":"2023-07-01T07:45:35","guid":{"rendered":"http:\/\/surplusspace.cn\/?p=113"},"modified":"2023-11-16T21:40:22","modified_gmt":"2023-11-16T13:40:22","slug":"%e7%9c%8b%e4%b8%80%e5%8f%aa%e9%bb%91%e9%b8%9f%e7%9a%84%e5%8d%81%e5%9b%9b%e7%a7%8d%e6%96%b9%e5%bc%8f-fourteen-ways-of-looking-at-a-blackbird","status":"publish","type":"post","link":"http:\/\/surplusspace.cn\/en\/%e7%9c%8b%e4%b8%80%e5%8f%aa%e9%bb%91%e9%b8%9f%e7%9a%84%e5%8d%81%e5%9b%9b%e7%a7%8d%e6%96%b9%e5%bc%8f-fourteen-ways-of-looking-at-a-blackbird\/","title":{"rendered":"Fourteen Ways of Looking at a Blackbird"},"content":{"rendered":"<p>Wallace Stevens is an outstanding modern American poet, and Thirteen Ways of Looking at a Blackbird is one of his masterpieces. This poem consists of thirteen short but richly imaginative stanzas, each of which refers to a different way of viewing a blackbird. This multi-faceted perspective offers us multiple insights and inspirations for thinking, rather than a singular disciplined way of thinking. But at the same time, it also makes the meaning and scale of the poem confusing. In these thirteen stanzas, Stevens pans the camera like a director, switching freely between various landscapes such as snow mountains, trees, autumn winds, icicles, long window, carriages, thin men, river and cedar-limbs, creating contrasts of motion and stillness, as well as color contrasts, which allows rich connections and imagery to emerge between different landscapes. Throughout the poem, the blackbird is not only a ubiquitous subject, but also &#8221; a small part of the pantomime &#8220;, fragmented yet integral, simultaneously within and beyond the whole. <\/p>\n<p>The poet presents the omnipresence of the &#8220;blackbird&#8221; in a dynamic and ever-changing way and showcases thirteen different states of the blackbird from thirteen perspectives through the structural form of the poem. At this point, the &#8220;blackbird&#8221; portrayed by the poet is no longer just a blackbird in the physical world, but also points to the spiritual one beyond temporal constraints and human cognition. Those seemingly unrelated fragments of the &#8220;blackbird&#8221; embody freedom, independence, and ubiquity of the spiritual world. Stevens makes the &#8220;blackbird&#8221; hover between reality and imagination, &#8220;darting and flashing back&#8221;, thus transforming it into a metaphor for reality and spiritual world. Metaphor is a primary means of expressing imagery, as highlighted in the book &#8220;Metaphors We Live By&#8221;, which states that &#8220;the essence of metaphor is understanding and experiencing one kind of thing in terms of another&#8221;. Metaphor is not merely a linguistic figure of speech but rather a fundamental form of human cognition and thinking.<\/p>\n<p>When reading Thirteen Ways of Looking at a Blackbird, we become curious about the symbolic significance embodied by the blackbird, although Stevens only cunningly refers to it as a &#8220;collection of perceptions.&#8221; William Faulkner&#8217;s remark during an interview holds weight: &#8220;I don&#8217;t think anybody can see through the truth. You look at it and see one stage of it, while somebody else looks at it and sees a slightly distorted phase. But in general, the truth itself is in the whole that they both see, and nobody sees all of it&#8230; But I think it turns out that when readers have finished with these thirteen ways of looking at a blackbird, a fourteenth image of blackbird would emerge in their own mind, which is exactly the truth that I believe in.&#8221;<br \/>\nThe above is not only discussing about the poetry, but also the exhibition.<\/p>","protected":false},"excerpt":{"rendered":"<p>Wallace Stevens is an outstanding modern American poet, and Thirteen Ways of Looking at a Blackbird is one of his masterpieces. This poem consists of thirteen short but richly imaginative stanzas, each of which refers to a different way of viewing a blackbird. This multi-faceted perspective offers us multiple insights and inspirations for thinking, rather [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":127,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-113","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions"],"_links":{"self":[{"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/posts\/113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/comments?post=113"}],"version-history":[{"count":7,"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/posts\/113\/revisions"}],"predecessor-version":[{"id":930,"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/posts\/113\/revisions\/930"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/media\/127"}],"wp:attachment":[{"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/media?parent=113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/categories?post=113"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/surplusspace.cn\/en\/wp-json\/wp\/v2\/tags?post=113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}